For more advanced use, such as customizing the theme with Sass, you'll need to install the tools with [NodeJS](https://nodejs.org/en/) (0.12 or greater). Navigate to your theme directory and run `npm install`.
<h3>We’re stoked you want to try Foundation! </h3>
<p>To get going, this file (index.html) includes some basic styles you can modify, play around with, or totally destroy to get going.</p>
<p>Once you've exhausted the fun in this document, you should check out:</p>
<divclass="grid-x grid-padding-x">
<divclass="large-4 medium-4 cell">
<p><ahref="http://foundation.zurb.com/docs">Foundation Documentation</a><br/>Everything you need to know about using the framework.</p>
</div>
<divclass="large-4 medium-4 cell">
<p><ahref="http://zurb.com/university/code-skills">Foundation Code Skills</a><br/>These online courses offer you a chance to better understand how Foundation works and how you can master it to create awesome projects.</p>
</div>
<divclass="large-4 medium-4 cell">
<p><ahref="http://foundation.zurb.com/forum">Foundation Forum</a><br/>Join the Foundation community to ask a question or show off your knowlege.</p>
</div>
</div>
<divclass="grid-x grid-padding-x">
<divclass="large-4 medium-4 medium-push-2 cell">
<p><ahref="http://github.com/zurb/foundation">Foundation on Github</a><br/>Latest code, issue reports, feature requests and more.</p>
</div>
<divclass="large-4 medium-4 medium-pull-2 cell">
<p><ahref="https://twitter.com/ZURBfoundation">@zurbfoundation</a><br/>Ping us on Twitter if you have questions. When you build something with this we'd love to see it (and send you a totally boss sticker).</p>
<p><strong>This is a twelve cell section in a grid-x.</strong> Each of these includes a div.callout element so you can see where the cell are - it's not required at all for the grid.</p>
</button></div></form></nav><sectiondata-v-abbdcac0=""class="collections-list"><headerdata-v-abbdcac0=""><h2data-v-abbdcac0="">Latest in collections</h2></header><maindata-v-abbdcac0=""><articledata-v-abbdcac0=""><uldata-v-abbdcac0=""class="accordion"><lidata-v-abbdcac0=""data-accordion-item=""disabled="disabled"class="accordion-item title"><divdata-v-abbdcac0=""class="accordion-title"><uldata-v-abbdcac0=""><lidata-v-abbdcac0=""class="title">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">Tortle shell engraved with a whale hunting scene.</span><adata-v-abbdcac0=""href="/s/sea-adventure"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/486/6178201211_f12c28f532_b.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">Dreaming of a Butterfly occupies the different potential that might exist in the small spaces between the reality and appearances.</span><adata-v-abbdcac0=""href="/s/dreaming-of-a-butterfly"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/291/img_3905.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">This particular column is a profile of a moment, an action and a gesture in time that is slowly unfolding.</span><adata-v-abbdcac0=""href="/s/miras-column-kira-oreilly"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/379/Web.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">Inspired by the vaults and web arches woven by arachnid architects in order to occupy the space, darkness and silence of Cultivamos Cultura, the artists created an installation that seeks the texture of a silk, apparently suspended, heavy with layers of age and dust, on a human scale.</span><adata-v-abbdcac0=""href="/s/web-marta-menezes-kira-oreilly"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/287/Ao-Sol-Catalogo-7.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">The idea is to search models for a “wounded social sculpture” presented by an architecture body, that is defined by an internal malfunction, a genetic illness at birth. The termites incorporate the illness which activate the moment when nature sticks back.</span><adata-v-abbdcac0=""href="/s/ontological-ecology-of-echoes-when-nature-takes-back-a-social-story-VI"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/287/Ao-Sol-Catalogo-7.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">The idea is to search models for a “wounded social sculpture” presented by an architecture body, that is defined by an internal malfunction, a genetic illness at birth. The termites incorporate the illness which activate the moment when nature sticks back.</span><adata-v-abbdcac0=""href="/s/ontological-ecology-of-echoes-when-nature-takes-back-a-social-story-V"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/287/Ao-Sol-Catalogo-7.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">The idea is to search models for a “wounded social sculpture” presented by an architecture body, that is defined by an internal malfunction, a genetic illness at birth. The termites incorporate the illness which activate the moment when nature sticks back.</span><adata-v-abbdcac0=""href="/s/ontological-ecology-of-echoes-when-nature-takes-back-a-social-story-IV"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/287/Ao-Sol-Catalogo-7.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">The idea is to search models for a “wounded social sculpture” presented by an architecture body, that is defined by an internal malfunction, a genetic illness at birth. The termites incorporate the illness which activate the moment when nature sticks back.</span><adata-v-abbdcac0=""href="/s/ontological-ecology-of-echoes-when-nature-takes-back-a-social-story-III"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/287/Ao-Sol-Catalogo-7.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">The idea is to search models for a “wounded social sculpture” presented by an architecture body, that is defined by an internal malfunction, a genetic illness at birth. The termites incorporate the illness which activate the moment when nature sticks back.</span><adata-v-abbdcac0=""href="/s/ontological-ecology-of-echoes-when-nature-takes-back-a-social-story-II"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/287/Ao-Sol-Catalogo-7.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">The idea is to search models for a “wounded social sculpture” presented by an architecture body, that is defined by an internal malfunction, a genetic illness at birth. The termites incorporate the illness which activate the moment when nature sticks back.</span><adata-v-abbdcac0=""href="/s/ontological-ecology-of-echoes-when-nature-takes-back-a-social-story-I"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/268/Leena_Water.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">How do we prevail as active participants in this world? What do we need to do so we are not forgotten? We could think about being necessary, useful, or even being loved, in order to persist.</span><adata-v-abbdcac0=""href="/s/a-foxs-tale-water-lena-ortega"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/266/Leena_Tube.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">How do we prevail as active participants in this world? What do we need to do so we are not forgotten? We could think about being necessary, useful, or even being loved, in order to persist.</span><adata-v-abbdcac0=""href="/s/a-foxs-tale-tube-lena-ortega"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/cfdb3e2489eb81f6f662faabcebdc289af3d9920.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">How do we prevail as active participants in this world? What do we need to do so we are not forgotten? We could think about being necessary, useful, or even being loved, in order to persist.</span><adata-v-abbdcac0=""href="/s/a-foxs-tale-harp-lena-ortega"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/240/2014_12_20_Moshi_Moshi_[16].jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">How do we prevail as active participants in this world? What do we need to do so we are not forgotten? We could think about being necessary, useful, or even being loved, in order to persist.</span><adata-v-abbdcac0=""href="/s/a-foxs-tale"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/714/Carolyn_Angleton05.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">Re-culturing situates the changing motif of Portuguese tiles as a living system in and of itself, one that feeds off its environment, mutates and evolves under constraint, and is self-regenerating from its parts.</span><adata-v-abbdcac0=""href="/s/re-culturing"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/303/Andy_Gracie_3.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">Drosophila titanus' was a long-term project which through a process of experimentation and artificial selection aimed to develop a species of the fruit fly Drosophila melanogaster that would be theoretically capable of living on Saturn's largest moon Titan. While being a virtually impossible project to 'successfully' complete in pure scientific terms, 'Drosophila titanus' sited itself as a process within the ongoing discourse surrounding the complex relationships between art and science.</span><adata-v-abbdcac0=""href="/s/drosophila-titanus"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/373/PVL07515.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">When displayed in a Farm in Portugal, is the Air even from Troy, anymore?</span><adata-v-abbdcac0=""href="/s/50-cc-air-de-troy"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/453/Penafiel113.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">This series was created at Cultivamos Cultura using objects found in the house and barns. This is an alternative photography process called cyanotype.</span><adata-v-abbdcac0=""href="/s/air-anna-isaak-ross"class="button small">
</li></ul></div><asidedata-v-abbdcac0=""class="accordion-content"><sectiondata-v-abbdcac0=""><figuredata-v-abbdcac0=""><imgdata-v-abbdcac0=""src="https://collections.arc-hive.zone/files/large/660/PVL05216.jpg"></figure><pdata-v-abbdcac0=""><spandata-v-abbdcac0="">Sea Shadow explores different processes of material transformation in relation to macroalgae or seaweeds, to highlight how forms of digestion and incorporation extend bodily boundaries beyond the human, relating also to concepts of interlocked ecological and economic metabolism.</span><adata-v-abbdcac0=""href="/s/sea-shadow-sarah-blissett"class="button small">
chris
jorge